JACQUES DERRIDA - Mal d’archivio: un’impressione freudiana (Filemi, It, 1996, II ed. 2005) - Mal d'archive - Une impression freudienne, Éditions Galilée, Fr, 1995 - Archive Fever. A freudian impression (Chicago University Press, Usa, 1996)

Mal d’archivio: un’impressione freudiana 
trad. it. a cura di G. Scibilia 

Il più grande pensatore del nostro tempo discute, attraverso il concetto di archivio in Freud, l’avvenire della psicoanalisi nel suo rapporto con le nuove tecnologie che hanno prodotto uno sconvolgimento del ricordo.
Read more

Mal d'archive - Une impression freudienne, Éditions Galilée, Fr, 1995 -

Etude des désastres qui marquent la fin du millénaire, lus comme les archives du mal : dissimulées ou détruites, interdites, détournées ou refoulées. Deux fils conducteurs : la psychanalyse devrait appeler une révolution au moins potentielle dans la problématique de l'archive ; le trajet d'une discussion avec l'historien américain du judaïsme : Yerushalmi.

Archive Fever, a Freudian Impression - Chicago University Press, Usa, 1996

In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully occasioned by a deconstructive analysis of the notion of archiving. The archival concept has of late played a pivotal role in critical debate. A place of origin, yet of perpetuity, a place of stasis and order, yet of discovery, the notion of archive houses a fascinating complex of diverse, and often disparate, meanings. As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.