Prosthetic musical instruments

Instrumental bodies with a somehow uncanny cyberpunk feel to it, via the Guardian:

"The spines allow natural bending and twisting, and contain a series of three measurement devices at specific points. They are fitted with a combination of accelerometers (those cunning things in your phone that can tell up from down), rate gyroscopes, which sense angular velocity, and magnetometers that pick up on the earth's magnetic field. By mapping these sensors at points along the spinal column, the designers can build a picture of orientation and shape – which is then used to determine the sound that's made."

Scripts Plans Goals and Understanding

An early text that looks at scripting human activities and scenarios. This uses the notion of script both in the sense of a narrative or theatrical sequence, but also in the sense of a computer script - a predetermined sequence of actions and conditions.

Jussi Parikka: Media Archaelogy @ Medea TV - Malmoe University, Swe, 2011

Understanding Digital Humanities - Edited by David M. Berry - Palgrave Macmillan, Uk, 07 February 2012

The application of new computational techniques and visualisation technologies in the Arts and Humanities are resulting in fresh approaches and methodologies for the study of new and traditional corpora. This 'computational turn' takes the methods and techniques from computer science to create innovative means of close and distant reading. This book discusses the implications and applications of 'Digital Humanities' and the questions raised when using algorithmic techniques. Key researchers in the field provide a comprehensive introduction to important debates surrounding issues such as the contrast between narrative versus database, pattern-matching versus hermeneutics, and the statistical paradigm versus the data mining paradigm. Also discussed are the new forms of collaboration within the Arts and Humanities that are raised through modular research teams and new organisational structures, as well as techniques for collaborating in an interdisciplinary way.



Introduction: Understanding the Digital Humanities; D.M.Berry
An Interpretation of Digital Humanities; L.Evans & S.Rees
How We Think: Transforming Power and Digital Technologies; N.K.Hayles
Digital Methods: Five Challenges; B.Rieder & T.Röhle 
Archives in Media Theory: Material Media Archaeology and Digital Humanities; J.Parikka Canonicalism and the Computational Turn; C.BassettThe Esthetics of Hidden Things; S.Dexter 
The Meaning and the Mining of Legal Texts; M.Hildebrandt
Have the Humanities Always been Digital? For an Understanding of the 'Digital Humanities' in the Context of Originary Technicity; F.Frabetti
Present, Not Voting: Digital Humanities in the Panopticon; M.Terras
Analysis Tool or Research Methodology: Is There an Epistemology for Patterns?; D.Dixon Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualization; A.Heftberger
The Feminist Critique: Mapping Controversy in Wikipedia; M.Currie 
How to See One Million Images? A Computational Methodology for Visual Culture and Media Research; L.Manovich
Cultures of Formalization: Towards an Encounter Between Humanities and Computing; J.van Zundert, A.Antonijevic, A.Beaulieu, K.van Dalen-Oskam, D.Zeldenrust & T.Andrews
Trans-disciplinarity and Digital Humanity: Lessons Learned from Developing Text Mining Tools for Textual Analysis; Y.Lin


DAVID BERRY is Lecturer in Media and Communication at the University of Swansea. He is the author of Understanding Softward in the Digital Age: Code, Mediation and Computation (Palgrave, forthcoming)Copy, Rip, Burn: The Politics of Copyleft and Open Source (Pluto, 2008) and co-editor of Libre Culture (Pygmalion Books, Canada, 2008). He has also published in journals such as Theory, Culture and Society, Critical Discourse Studies and The Journal of Internet Research.


'Berry and colleagues present us with several current and future trajectories of the digital humanities, both building and questioning its trends. Through the last 40 years of computational research, the humanities have appropriated and developed many techniques for doing their work computationally, but only in the last ten years has the excess of computational capacity begun to bring central questions about the nature of the humanities to light. David Berry and his colleagues sit on the cutting edges of these questions, and their work will inform those debates for years to come.' 
- Jeremy Hunsinger, Virginia Polytechnic Institute and State University, USA
'This book introduces and debates important questions regarding the use of digital technologies in numerous academic approaches in humanities and social sciences. These new media technologies are impacting across the disciplinary spectrum and pose challenges to traditional scholarship. Dr Berry's book gives us a timely insight into these various challenges and into the kinds of new 'digital humanities' that are emerging. Clearly written and providing a wide range of examples and case studies it is an important contribution to the growing literature on digital humanities.'
— Christian De Cock, University of Essex, UK


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