Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO. Here we see the HI (Heliospheric Imager) visual data as it tracks interplanetary space for solar wind and CME’s (coronal mass ejections) heading towards Earth. More info on semiconductor.
Showing posts with label Sound Art. Show all posts
Showing posts with label Sound Art. Show all posts
12.5.14
Black Rain by semiconductor
Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO. Here we see the HI (Heliospheric Imager) visual data as it tracks interplanetary space for solar wind and CME’s (coronal mass ejections) heading towards Earth. More info on semiconductor.
2.3.14
Space Replay
A collaboration between Julinka Ebhardt, Will Yates-Johnson and Francesco Tacchini from the Royal College of Art.
"Space Replay is a hovering object that explores and manipulates transitional public spaces with particular acoustic properties. By constantly recording and replaying these ambient sounds, the levitating sphere produces a delayed echo of human activity..."Read more.
8.10.13
27.9.13
Japanese masters
For the occasion of their latest event at BFI Southbank with audiovisual artist Ryoichi Kurokawa, Alpha-ville has compiled a list of Japanese masters of sound, design, art performance, etc. The list focuses on Japanese artists we feautured on the blog before and illustrates a generation of creators 'who have the ability to unlock imagination and take you on a journey of discovery.'
➝ Ryoichi Kurokawa
For the past 10 years internationally acclaimed Japanese multimedia artist Ryoichi Kurokawa has mixed video images, audio recordings, graphics and animations to produce stunning audio-visual installations, presentations and live performances. Kurokawa was born in 1978 in Osaka and currently lives in Berlin. Recently Kurokawa won the prestigious Golden Nica 2010 – Prix Ars Electronica (Linz) in the category of Digital Music & Sound Art with his latest pentaptych audiovisual installation ‘rheo: 5 horizons’ produced by Cimatics.
➝ Ryoji Ikeda
Born in 1966 in Gifu, Japan, Ikeda lives and works in Paris, France. His work is described as focusing on 'the essential characteristics of sound itself and that of visuals as light, by means of both mathematical precision and mathematical aesthetics. Ikeda elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations.'
➝ Hiroaki Umeda
Multidisciplinary solo artist Hiroaki Umeda commands all elements of his unique spectacle: choreography, dance, lights and computerized sound and video images. Minimal and radical, subtle and provocative, Umeda’s extraordinary butoh/street dance-inspired choreography appears within an environment of sparse, dramatic lighting, flashing cyber-imagery, electronic beats and crackling digital soundscapes. Based in Tokyo, Umeda studied photography and began dancing at the age of 20, delving into his own extraordinary original movement and refining a powerful sensuality in his work. Umeda founded his company S20 in 2000 and has since created numerous works that have been presented at dance festivals and theaters throughout Asia, Europe, South America and the U.S.
➝ Daito Manabe
Born in 1976. Graduated from the Department of Mathematics, Faculty of Science and Technology, Tokyo University of Science, and Dynamic Sensory Programming Course at International Academy of Media Arts and Sciences (IAMAS). He participated in various projects that made use of his programming skills, across a range of genres and fields. His face performance “Face visualizer, instrument and copy” has been invited by about 30 music/art/film festivals, such as at Sonar Festival and Transmediale. He also devotes his energies to educational activities such as workshops in various countries, including at MIT Media Lab and Fabrica. In addition, he has participated as a presenter in the openFrameworks Developer Meeting and at cycling ’74 Expo. He served as a member of the judging panel for the 2009 Prix Ars Electronica in the Digital Music category, and received the 2011 Award of Distinction in the Interactive Art category. He has won the Japan Media Arts Festival Excellence Prize twice and has been recommended by the jury on seven occasions.
➝ Ryuichi Sakamoto
Ryuichi Sakamoto is a Japanese musician and composer. Sakamoto studied at the Tokyo National University of Fine Arts and Music, where he graduated with a BA in composition, and a Master’s degree with special emphasis electronic and ethnic music. Sakamoto began his career in the late 1970s, working as a composer, arranger and producer with some of Japan’s most popular rock, jazz and classical artists. He won the Academy Award for his score to the 1987 Bernardo Bertolucci film The Last Emperor. He has also written soundtracks for Pedro Almodovar’s film High Heels, and Oliver Stone’s Wild Palms.
➝ Keita Onishi
Japanese visual artist Keita Onishi completed his postgraduate studies at the Tokyo National University of Fine Arts and Music in 2006. He is the mastermind behind the music, visuals, and stage presence of Haisuinonasa. In his work, Keita is interested in exploring how image and music coexist.
➝ Ryoichi Kurokawa
For the past 10 years internationally acclaimed Japanese multimedia artist Ryoichi Kurokawa has mixed video images, audio recordings, graphics and animations to produce stunning audio-visual installations, presentations and live performances. Kurokawa was born in 1978 in Osaka and currently lives in Berlin. Recently Kurokawa won the prestigious Golden Nica 2010 – Prix Ars Electronica (Linz) in the category of Digital Music & Sound Art with his latest pentaptych audiovisual installation ‘rheo: 5 horizons’ produced by Cimatics.
➝ Ryoji Ikeda
Born in 1966 in Gifu, Japan, Ikeda lives and works in Paris, France. His work is described as focusing on 'the essential characteristics of sound itself and that of visuals as light, by means of both mathematical precision and mathematical aesthetics. Ikeda elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations.'
➝ Hiroaki Umeda
Multidisciplinary solo artist Hiroaki Umeda commands all elements of his unique spectacle: choreography, dance, lights and computerized sound and video images. Minimal and radical, subtle and provocative, Umeda’s extraordinary butoh/street dance-inspired choreography appears within an environment of sparse, dramatic lighting, flashing cyber-imagery, electronic beats and crackling digital soundscapes. Based in Tokyo, Umeda studied photography and began dancing at the age of 20, delving into his own extraordinary original movement and refining a powerful sensuality in his work. Umeda founded his company S20 in 2000 and has since created numerous works that have been presented at dance festivals and theaters throughout Asia, Europe, South America and the U.S.
➝ Daito Manabe
Born in 1976. Graduated from the Department of Mathematics, Faculty of Science and Technology, Tokyo University of Science, and Dynamic Sensory Programming Course at International Academy of Media Arts and Sciences (IAMAS). He participated in various projects that made use of his programming skills, across a range of genres and fields. His face performance “Face visualizer, instrument and copy” has been invited by about 30 music/art/film festivals, such as at Sonar Festival and Transmediale. He also devotes his energies to educational activities such as workshops in various countries, including at MIT Media Lab and Fabrica. In addition, he has participated as a presenter in the openFrameworks Developer Meeting and at cycling ’74 Expo. He served as a member of the judging panel for the 2009 Prix Ars Electronica in the Digital Music category, and received the 2011 Award of Distinction in the Interactive Art category. He has won the Japan Media Arts Festival Excellence Prize twice and has been recommended by the jury on seven occasions.
➝ Ryuichi Sakamoto
Ryuichi Sakamoto is a Japanese musician and composer. Sakamoto studied at the Tokyo National University of Fine Arts and Music, where he graduated with a BA in composition, and a Master’s degree with special emphasis electronic and ethnic music. Sakamoto began his career in the late 1970s, working as a composer, arranger and producer with some of Japan’s most popular rock, jazz and classical artists. He won the Academy Award for his score to the 1987 Bernardo Bertolucci film The Last Emperor. He has also written soundtracks for Pedro Almodovar’s film High Heels, and Oliver Stone’s Wild Palms.
➝ Keita Onishi
Japanese visual artist Keita Onishi completed his postgraduate studies at the Tokyo National University of Fine Arts and Music in 2006. He is the mastermind behind the music, visuals, and stage presence of Haisuinonasa. In his work, Keita is interested in exploring how image and music coexist.
Born in 1963, Shiro Takatani graduated from the department of Environmental Design, Faculty of Fine Arts, Kyoto City University of Arts. He joined Dumb Type as a founding member in 1984 and since then has been involved in the production of Dumb Type performances and installations, working in video, lighting, graphic design, stage design and as a photographer. Takatani has collaborated with a number of artists such as Ryuichi Sakamoto, Fujiko Nakaya, Gisèle Vienne.
Born in Hyogo Prefecture, 1980. He studied visual image at Osaka Kyoiku University, Image Forum Institute of Moving Image and the Graduate School of Film and New Media, Tokyo University of the Arts. He started producing animation works on his own since 2002, and released HANA NO HI (DAY OF NOSE), SOU IU MEGANE (WELL, THAT’S GLASSES), and more. IN A PIG’S EYE won the Best Film Award at the Fantoche International Animation Film Festival in 2010 as well as the Best Animated Film at Curtas Vila do Conde Film Festival the same year, and his work, HARU NO SKIKUMI (THE MECHANISM OF SPRING), was screened at the Venice International Film Festival. His latest work, THE GREAT RABBIT (GUREHTO RABITTO) won the silver bear in the Berlinale International Film Festival 2012. —festival scope.
22.2.12
Pe Lang - Moving Objects @ Galerie Mazzoli, Berlin (De) 14/01/2012 § 03/03/2012
Moving objects
Pe Lang
14 Gennaio 2012 - 3/3/2012
La Galerie Mario Mazzoli è lieta di annunciare la prima mostra personale di Pe Lang presso i propri spazi. L'artista svizzero realizza dei sistemi cinetici, che addomesticano e mettono in mostra le forze fisiche con un'eleganza avvincente. Le sue macchine obbediscono ad un'ottimizzazione stringente e costruttiva, attraverso la quale ogni suo elemento può essere decodificato in base alla propria funzionalità. In esse non vi appare nulla di decorativo o arbitrario. La loro sintassi é dominata dalla precisione e dal controllo, come cornici ad una dimensione aleatorea costruita, nella quale ordine e caos convivono in un fragile equilibrio.
I movimenti delle sculture sono eventi visivi che ad un livello estetico si realizzano in se stessi e allo stesso tempo, come in un gioco di prestigio, portano con se un'illusione; questa evoca poi dei quesiti circa i principi sui quali essa si fonda. Pe Lang non cela nulla, ma al medesimo tempo le sue opere sbalordiscono attraverso la loro grazia formale, come per esempio nella splendente e magica coreografia dei piccoli cilindri di metallo, che fluttuano su e giù tra le lastre di rame (moving objects | no 502 - 519). E ́questo un raffinato gioco di alternanze fra rivelazioni e segreti, su cui si basa l ́effetto di queste macchine in un contesto artistico.
I fenomeni fisici sono spesso l'effetto di forze quali il magnetismo, l'inerzia, l ́attrito o la forza di gravità, che Pe Lang ricerca personalmente nel corso di laboriosi esperimenti. Spesso egli riproduce la medesima situazione di partenza, all'interno della quale la possibilità di variazione cinetica si ripete contemporaneamente in molteplici punti. Questo momento seriale sta al Minimalismo, così come del resto l ́ermetica iconografia dei materiali sta ai macchinari stessi, i quali non possono essere messi in relazione con oggetti dell'esperienza quotidiana.
Pe Lang, nato nel 1974 a Sursee (Svizzera), vive e lavora a Zürich e Berlin. I suoi lavori sono stati mostrati nel corso di diverse mostre internazionali in musei, gallerie e festival. Tra gli altri si ricordano: Centro de Arte Santa Museum Mónica, Barcellona; Galerie Mario Mazzoli, Berlino; Transmediale, Berlino; Elektra, Montreal; Sonic Acts XII, Amsterdam; bitforms Gallery, New York; ISEA, Singapore; Netherlands Media Art Institute, Amsterdam; Cybersonica, Londra; San Francisco Art Institute, San Francisco; Kunsthalle, Lucerna; Artotheque Gallery & City Hall, Caen; SONM, Murcia; Gift_lab Gallery, Tokyo; Kunsthaus L6, Friburgo; National Taiwan University of Arts, New Taipei; Great North Museum-Hatton Gallery, Newcastle; AV festival, Newcastle; Växjö Kunsthalle, Svezia; Tabakalera, San Sebastian; Diapason Gallery, New York; Kunsthalle, Berna. Fra i riconoscimenti e le residenze si ricordano: Sitemapping/Mediaprojects Award (2011, 2008 e 2005), Swiss Art Award (2009 e 2010) e artists-in-labs residency, presso lo svizzero Center for Electronics and Microtechnology (2007).