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Showing posts with label Semiotext(e). Show all posts
Showing posts with label Semiotext(e). Show all posts
16.9.16
2.9.16
Edmund Berger :: Accelerazionismo grunge - Rizosfera (2016) - collana I forti dell'avvenire
E' uscito in una nuova veste grafica il saggio di Edmund Berger, Accelerazionismo grunge, per le edizioni Rizosfera (collana The Strong of the Future, SF 003.it).
Ecco l'incipit del saggio:
13.12.14
30.4.12
Félix Guattari and Suely Rolnik - Molecular Revolution in Brazil - Semiotext(e), Usa, 2006
Molecular Revolution in Brazil**
Félix Guattari and Suely Rolnik
Translated by Karel Clapshow and Brian Holmes
Yes, I believe that there is a multiple people, a people of mutants, a people of potentialities that appears and disappears, that is embodied in social, literary, and musical events…. I think that we’re in a period of productivity, proliferation, creation, utterly fabulous revolutions from the viewpoint of this emergence of a people. That’s molecular revolution: it isn’t a slogan or a program, it’s something that I feel, that I live….
—from Molecular Revolution in Brazil
—from Molecular Revolution in Brazil
Following Brazil’s first democratic election after two decades of military dictatorship, French philosopher Félix Guattari traveled through Brazil in 1982 with Brazilian psychoanalyst Suely Rolnik and discovered an exciting, new political vitality. In the infancy of its new republic, Brazil was moving against traditional hierarchies of control and totalitarian regimes and founding a revolution of ideas and politics. Molecular Revolution in Brazil documents the conversations, discussions, and debates that arose during the trip, including a dialogue between Guattari and Brazil’s future President Luis Ignacia Lula da Silva, then a young gubernatorial candidate. Through these exchanges, Guattari cuts through to the shadowy practices of globalization gone awry and boldly charts a revolution in practice.
Assembled and edited by Rolnik, Molecular Revolution in Brazil is organized thematically; aphoristic at times, it presents a lesser-known, more overtly political aspect of Guattari’s work. Originally published in Brazil in 1986 as Micropolitica: Cartografias do desejo, the book became a crucial reference for political movements in Brazil in the 1980s and 1990s. It now provides English-speaking readers with an invaluable picture of the radical thought.
4.1.12
Christian Marazzi - Capital and Affects (Semiotext(e) - Usa - September 2011)
We do little more than state the obvious when, trying to come to terms with the politico-institutional earthquakes traversing our times, we say that language is the key to politics.
--from Capital and Affects
Communication as work: we have recently experienced a profound transformation in the processes of production. While the assembly line (invented by Henry Ford at the beginning of the last century) excluded any form of linguistic productivity, today, there is no production without communication. The new technologies are linguistic machines. This revolution has produced a new kind of worker who is not a specialist but is versatile and infinitely adaptable. If standardized mass production was dominant in the past, today we produce an array of different goods corresponding to specific consumer niches. This is the post-Fordist model described by Christian Marazzi in Capital and Affects (first published in 1994 as Il posto dei calzini [The place for the socks]). Tracing the development of this new model of labor from Toyota plants in Japan to the most recent innovations, Marazzi’s critique goes beyond political economy to encompass issues related to social life, political engagement, democratic institutions, interpersonal relations, and the role of language in liberal democracies.
This translation at long last makes Marazzi’s first book available to English readers. Capital and Affectsstands not only as the foundation to Marazzi's subsequent work, but as foundational work in post-Fordist literature, with an analysis startlingly relevant to today’s troubled economic times. This Semiotext(e) edition includes the afterword Marazzi wrote for the 1999 Italian edition.
Christian Marazzi was born in Lugano, Switzerland, in 1951. He obtained a degree in Political Science at the University of Padova, a master’s degree at the London School of Economics and a doctoral degree in Economics at the City University of London. He has taught at the University of Padova, the State University of New York, and at the University of Lausanne. He is currently Director of Socio-Economic Research at the Scuola Universitaria della Svizzera Italiana.
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27.12.11
ATTA - Jarett Kobek - Semiotext(e) - Usa, December 2011
ATTA
Jarett Kobek
Semiotext(e)
December 2011
Ours is a century of fear. Governments and mass media bombard us with words and images: desert radicals, “rogue states,” jihadists, WMDs, existential enemies of freedom. We labor beneath myths that neither address nor describe the present situation, monstrous deceptions produced by a sound bite society. There is no reckoning of actuality, no understanding of the individual lives that inaugurated this echo chamber.
In the summer of 1999, Mohamed Atta defended a master’s thesis that critiqued the introduction of Western-style skyscrapers in the Middle East and called for the return of the “Islamic-Oriental city.” Using this as a departure point, Jarett Kobek’s novel ATTA offers a fictionalized psychedelic biography of Mohamed Atta that circles around a simple question: what if 9/11 was as much a matter of architectural criticism as religious terrorism? Following the development of a socially awkward boy into one of history’s great villains, Kobek demonstrates the need for a new understanding of global terrorism. Joined in this volume by a second work, “The Whitman of Tikrit”–a radical reimagining of Saddam Hussein’s last day before capture–ATTA is a brutal, relentless, and ultimately fearless corrective to ten years of propaganda and pandering.
Jarett Kobek is the son of a Turkish immigrant and a graduate of New York University’s Gallatin School of Individualized Study. His Pushcart Prize-nominated fiction has been anthologized alongside Haruki Murakami and F. X. Toole. His first novel was commissioned and published by Book Works of London as part of the experimental literature Semina series. He lives in California.
Halsted Plays Himself @ Semiotext(e) - Usa, 2011
Fred Halsted’s L.A. Plays Itself (1972) was gay porn’s first masterpiece: a sexually explicit, autobiographical, experimental film whose New York screening left even Salvador Dalí repeatedly muttering “new information for me.” Halsted, a self-taught filmmaker, shot the film over a period of three years in a now-vanished Los Angeles, a city at once rural and sleazy. Although his cultural notoriety at one point equaled that of Kenneth Anger or Jack Smith, Halsted’s star waned in the 1980s with the emergence of a more commercial gay-porn industry. After the death from AIDS of his long-time partner, lover, spouse (and tormentor) Joey Yale in 1986, Halsted committed suicide in 1989.
In Halsted Plays Himself, acclaimed artist and filmmaker William E. Jones documents his quest to capture the elusive public and private personas of Halsted–to zero in on an identity riddled with contradictions. Jones assembles a narrative of a long-gone gay lifestyle and an extinct Hollywood underground, when independent films were still possible, and the boundary between experimental and pornographic was not yet established. The book also depicts what sexual liberation looked like at a volatile point in time–and what it looked like when it collapsed.
7.11.11
02.12.2011 - Gilles Deleuze - From A to Z - Semiotext(e) DVD
Gilles Deleuze, Claire Parnet and Pierre-Andre Boutang
Translated by Charles J. Stivale
Although Gilles Deleuze never wanted a film to be made
about him, he agreed to Claire Parnet’s proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences for the first time.
about him, he agreed to Claire Parnet’s proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences for the first time.
28.10.11
Semiotext(e) WANTS YOU ! - Schizo-Culture Conference, 13-16 november 1975, Columbia University, NYC, USA.
SEMIOTEXTE is looking for testimonies of people who attended the SCHIZO-CULTURE Conference organized at Columbia University (NYC) in 1975 for an upcoming book.
It will include the texts of all the lectures and panels and a detail account of the events.
Please send your contact info to: Hedi El Kholti: hedi@semiotexte.com
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