In betweens (live vjing for Viral Utopias!)

Francesco Tacchini, Tony Sampson, Nik Vaughn and Tim Vogt perform live for Mute Magazine's party, hosted in London at Limehouse Town Hall on the 16th of November.



More on the performance on Sampson's blog. More on the visuals on Tacchini's blog.
 
This underneath is not a recording of the night but the full demo of the live performance.
 

Deleuze and Film (Deleuze Connections) - Edited By: David Martin-Jones and William Brown - Edinburgh University Press, Uk, April 2012

Publication Date: April 2012 - Edinburgh University Press

A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze

Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinemabooks.

Key Features

• Analyses several Asian films, including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love and the Iranian comedy The Lizard
• Discusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button
• Includes a dedicated chapter on the animated documentary Waltz with Bashir
• Studies host of different directors from Rainer Werner Fassbinder to Baz Luhrmann
• Table of Contents
• Acknowledgements; Introduction: 
• Deleuze's World Tour of Cinema, David Martin-Jones and William Brown; 
• 1. An Imprint of Godzilla: Deleuze, the Action-Image and Universal History, David Deamer; 
• 2. Philosophy, Politics and Homage in Tears of the Black Tiger, Damian Sutton; 
• 3. Time-Images in Traces of Love: Repackaging South Korea's Traumatic National History for Tourism, David Martin-Jones; 
• 4. The Rebirth of the World: Cinema According to Baz Luhrmann, Richard Rushton; 
• 5. 'There as many paths to the time-image as there are films in the world': Deleuze and The Lizard, William Brown; 
• 6. In Search of Lost Reality: Waltzing with Bashir, Markos Hadjioannou; 
• 7. The Schizoanalysis of European Surveillance Films, Serazer Pekerman; 
• 8. Fictions of the Imagination: Habit, Genre and the Powers of the False, Amy Herzog; 
• 9. Feminine Energies, or the Outside of Noir, Elena del Río; 
• 10. The Daemons of Unplumbed Space: Mixing the Planes in Hellboy, Anna Powell; 
• 11. Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do?, David H. Fleming; 
• 12. The Surface of the Object: Quasi-Interfaces and Immanent Virtuality, Seung-hoon Jeong; 
• Notes on Contributors; Index.

David Martin-Jones is a Senior Lecturer in Film Studies at The University of St Andrews in Scotland.

William Brown is a Lecturer in Film at Roehampton University, London

Deleuze and Film presents a rich collection of essays that takes Deleuze's work on cinema out of its dominant Eurocentric corpus. Taking us on an inspiring world tour of film analysis and creative conceptual thinking, this book testifies to the continuing productive generosity of Deleuze's film-philosophy, and includes a dynamic range and depth of film scholarship.

This book testifies to the continuing vitality of Gilles Deleuze's Cinemavolumes: they still offer resources to film scholars and theorists today even when they are working on the sorts of films that Deleuze himself never commented on. Read more on EUP website

Deleuze and New Technology - Edited By David Savat and Mark Poster - Edinburgh University Press, Uk, June 2009

Deleuze and New Technology

Edited By: David Savat and Mark Poster Publication Date: Jun 2009 Explores how Deleuze's philosophy can help us to understand our digital and biotechnological futures. In a world where our lives are increasingly mediated by technologies, we need to pay more attention to Deleuze's often explicit focus on our reliance on the machine and the technological. These essays are a collective and determined effort to explore the usefulness Deleuze in thinking about our present and future reliance on technology. At the same time, they take seriously a style of thinking that negotiates between philosophy, science and art. Contributors William Bogard, Abigail Bray, Ian Buchanan, Verena Conley, Ian Cook, Tauel Harper, Timothy Murray, Saul Newman, Patricia Pisters, Mark Poster, Horst Ruthrof, David Savat, Bent Meier Sorensen and Eugene Thacker. Introduction, David Savat; Control; 1. Deleuze and Machines: A Politics of Technology?, William Bogard; 2. Of Rhizomes, Smooth Space, War Machines and New Media, Verena Conley; 3. Deleuze's Objectile: From Discipline to Modulation, David Savat; 4. How to Surf: Technologies at Work in the Societies of Control. Bent Meier Sorensen; 5. Chemical-Control: From the Cane to the Pill, Abigail Bray; 6. Politics in the Age of Control, Saul Newman; Becoming 7. Smash the Strata! A Program for Techno-Political Evolution, Tauel Harper; 8. Deleuze and the Internet, Ian Buchanan; 9. Swarming: Number vs. Animal?, Eugene Thacker; 10. The Body without Organs and Internet Gaming Addiction, Ian Cook; 11. Deleuze's Concept in the Information-Control Continuum, Horst Ruthrof; 12. Illusionary Perception and Cinema: Experimental Thoughts on Film Theory and Neuroscience, Patricia Pisters; 13. Surface Folds: The Archival Events of New Medialised Art, Tim Murray; Afterword, Mark Poster; Notes on Contributors; Index Dr David Savat is Chair of Communication Studies at the University of Western Australia. Mark Poster is Professor of History and a member of the Department of Film and Media Studies at the University of California, Irvine. Deleuze Connections Series Editor: Ian Buchanan 'It is not the elements or the sets which define the multiplicity. What defines it is the AND, as something which has its place between the elements or between the sets. AND, AND, AND – stammering.' – Gilles Deleuze and Claire Parnet, Dialogues This is the original groundbreaking series of Deleuze-inspired books that has already placed Deleuze's thought in connection with feminist theory, music, space, geography, queer theory, performance, postcolonial studies, contemporary art, and is constantly opening new frontiers in Deleuze Studies. Read more on EUP website